Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...
Almost everyone in Salome wants something they shouldn’t. A king desires his stepdaughter, a servant desires a princess and a princess desires a prisoner with equal parts fascination and repulsion. We ...
Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback