In Edinburgh’s Usher Hall, Mozart’s final three symphonies are given a vibrant interpretation by the Scottish Chamber ...
The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the ...
Paul Taylor Dance Company's second programme at the Linbury is an invigorating, uplifting, refreshing mix of easily ...
How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ ...
The Norwegian pianist assembles an intricate selection of fragments, aphorisms and character pieces for an intriguing New York recital.
The newly established Pehlivanian International Conducting Competition’s unusually open format – with in-person auditions in 15 cities around the world – aims to search out the best conducting talent, ...
A particularly evocative Largo in Vivaldi ’s Concerto in G ‘La notte’ set the tone. Calm sustained chords cushioned Horsch’s ...
Soprano Cornelia Beskow and accordionist Leo Florin join O/Modernt for a night of gypsy vim and Viennese swing at Wigmore ...
Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated ...
Did Humperdinck have any of this in mind, I wonder? And did an Opera Australia still lacking an Artistic Director need to ...
Retrospection held at bay by the conductor's unusual choice of Rudolf Barshai's completion to Mahler's last symphony.
Dazzling young German pianist Julius Asal and stand-in conductor Duncan Ward breathe new life into the familiar in repertoire by Grieg and Sibelius.
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